Duane Stephenson, the former singer in the Jamaican group To Isis, released his debut album From August Town in 2007 via VP Records, with which he had inked a deal. The very well received album included great tracks like the title track along with Ghetto Pain, Misty Morning, and his remake of Tyrone Taylor’s Cottage In Negril, contributing greatly to the initial momentum he gained in his solo career. During that time, Duane Stephenson was seen as an artist who was destined to become a significant figure in reggae music. Although he released strong follow-up albums like Black Gold in 2010 and Dangerously Roots: Journey From August Town in 2014, he hasn’t been able to match the impact of some of his contemporaries in the genre.

More than ten years since his last album, Duane Stephenson returns with a new collection of tunes. In early 2021, it was revealed that he was collaborating with Donovan Germain and Penthouse Records on a new project, and now it has finally arrived. Titled Weekend Dude, this new album boasts 14 tracks that feature both fresh original songs and cover versions. Throughout this collection, Stephenson demonstrates that his voice retains an extraordinary range, solidifying his status as one of reggae’s finest vocalists. Add to this the high-quality level of Donovan Germain’s production work is praised for by reggae enthusiasts and you know you’re in for a treat.

The album gets going with the title track, the mellow romantic ballad Weekend Dude, which is followed by Jacqueline. The latter, Backed by a familiar riddim, has a distinctly rootsy feel. The singer continues the romantic theme with the nice sounding Come To Me. Next up is Dancehall Broom, featuring guest artist and veteran deejay Josey Wales. Later, Exco Levi joins in on the love song That’s What She Loves, which comes toward the album’s conclusion. Additionally, there are covers of The Uniques’ Blessed Are The Meek and, unexpectedly, the Wailing Souls’ Jah Jah Give Us Life, a classic that Duane Stephenson truly does justice. Returning to romance with Naked and My Lady. While these tracks are pleasant to hear, they can’t compete with the deeply felt Pull Me Down, a poignant song that’s sure to receive many replays. Equally captivating is the anthem-like Black As Coal. On a brighter note, Remember My Name brings an upbeat vibe, similar to Ital Daughter, which offers a fresh take on John Holt’s 1970 classic Stranger In Love riddim. A cover of Tom Paxton’s much covered 1964 song The Last Thing On My Mind rounds off a pretty good album.



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